James Barnor, witness to a Changing Ghana
A woman poses for the camera, seated on a giant box of Agfa photo film in Accra, Ghana. The date is October 22, 1970, and Ghanaian photographer James Barnor has…
Article published on 17.04.2025
Today, dance has become a form of resistance.
Hannah Darabi
Through her project Why Don't You Dance?, Hannah Darabi explores Iranian folk dance as a space for memory, transmission, and resistance. As a recipient of the Prix Elysée, the artist reflects on the origins of her work, the circulation of images, and how an ordinary gesture can become a political act.
Interview conducted by Julie Dayer
© Elise Gyger/Photo Elysée/Plateforme 10
