René Burri in Beirut
This video is generously made available by Tanino Musso, who wishes to pay tribute to René Burri.
Read moreThis video is generously made available by Tanino Musso, who wishes to pay tribute to René Burri.
Read more"It was a very interesting blend of a somewhat formal, highly graphic image. Yet, at the same time, very human." - Bruno Barbey
Read more"The expression that she used frequently to encourage students who seemed to be struggling with the increasingly conceptual notions about photography, she would always say "Just follow your nose". And…
Read more"We are facing the first major revolution that humanity must undergo." - Yann Mingard
Read more"She liked to inquire about the person, so she could engage in conversation until the atmosphere relaxed. And suddenly, the person entered into their own silence. And that's what she…
Read moreLydia Dorner, co-curator of the exhibition Jacques Henri Lartigue: Life in Color, reveals some secrets to us.
Read moreInterview with artist Aurélie Pétrel as part of her project Hexagone 18 presented at LabElysée from May 30 to September 23, 2018.
Hexagone18 is the result of a carte blanche granted to French artist and photographer Aurélie Pétrel. As part of this project, she takes possession of the LabElysée by setting up an immersive hexagonal structure. A real laboratory, Hexagone18 is a progressive installation, in constant movement, whose content becomes denser as the months go by.
Aurélie Pétrel's research is anchored in time and works to re-establish the slowness of the image creation process. The artist proposes an artistic approach in several stages and considers her practice under the prism of the photographic score. Each source image can be replayed and redistributed according to the context of the exhibition, questioning the temporality of the appearance of the shot.
"You know, we've been collecting forever, and we thought we knew our photographs. But this is an entirely new way. We never thought about it in terms of lines before.…
Read more"I was partially influenced by the New York underground filmmaking scene, mostly by painters. I was scratching and painting on films, making experimental pieces, until I went to an Art…
Read more"Che was indeed the archetype of popular struggle to seize power, while Coca-Cola was the archetype of the American way of life. It struck me that across the entire continent,…
Read more