James Barnor, witness to a Changing Ghana
A woman poses for the camera, seated on a giant box of Agfa photo film in Accra, Ghana. The date is October 22, 1970, and Ghanaian photographer James Barnor has…
Part of Photo Elysée's exhibition spaces is closed for the installation of a new exhibition until June 27. We apologize for any inconvenience caused during your visit. The opening of our next exhibition will take place on Saturday, June 28 from 10 am to 6 pm. Save the date!
"I think about photography sort of less for its potential to convey beauty and be seductive [...] and much more for its sort of potential to instrumentalize a social movement."
Known for her collages and her work focusing on the representation of women, Carmen Winant has printed photos of women giving birth onto pages of the New York Times. The images blend into one another, mingling with the articles and merging in a single shot. For each image, Winant seeks out interesting political and aesthetic harmonies with a page from the newspaper. These fusions cancel out hierarchies, leaving only the relationships between the images.
With this series, the artist tells a story about the way in which women represent themselves and each other. This work is accompanied by a selection of feminist books proposed by Carmen Winant which complements Photo Elysée's library.
The Fall of The Modern Empire series is part of the Open Books exhibition on view at Photo Elysée from June 30 to October 1, 2023.
A woman poses for the camera, seated on a giant box of Agfa photo film in Accra, Ghana. The date is October 22, 1970, and Ghanaian photographer James Barnor has…
“I wanted to bear witness. Activism is linked to my journey as a woman. I have always been independent, self-reliant, active. I wanted to bear witness to the conditions of…