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Partant de l’idée d’utopies noires photographiées par Tyler Mitchell, Rhoda Tchokokam, photographe et auteure, propose une méditation visuelle et sonore autour des notions de visibilité et d’invisibilité dans la photographie contemporaine noire. Pourquoi des photographes imaginent de nouveaux mondes, tandis que d’autres choisissent de s’ancrer dans le réel ? Qu’en est-il de celles et ceux qui se soustraient du cadre, déjouent le piège de la visibilité et « refusent » le regard ?
Infos pratiques :
Image : le chauffeur, Jamaïque, 2022.
